- Anamorphic flare and cinematic look nods to original films -
Leicester, UK – xx March 2019 – Two VFX-heavy commercial spots for Disney highlighting the latest Star Wars toys and merchandise benefited from Cooke Optics’ Anamorphic/i prime lenses to recreate the cinematic look of the films, and Cooke’s /i Technology metadata system to aid smooth shoots and complex post-production processes.
- Cinematographer Xavier Dolléans commends gentleness, delicate flare, diffusion of faces with no filters – and full frame coverage -
Leicester, UK – 11 March 2019 – Cinematographer Xavier Dolléans chose a Sony Venice camera paired with Cooke Panchro/i Classic lenses to shoot Seasons 3 and 4 of Skam France, the French version of the acclaimed and innovative Norwegian youth series Skam, following a group of teenagers through their everyday lives of school, love and leisure time.
Greig Fraser, ACS, ASC, finds the right combination of film and glass to handle the intense prosthetics, makeup and hair for the story of Dick Cheney
Leicester, UK – February 14, 2019 – Over the 50 years chronicled in Adam McKay’s Vice, cinematographer Greig Fraser had the challenges of photographing actors playing characters twice their age — with intense prosthetics, makeup and hair — while also making a potentially dull series of office-based scenes into a visually interesting story for audiences. To accomplish this feat, Fraser relied on Kodak 200T & 500T film and Cooke Optics’ Anamorphic/i prime lenses.
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