News
28
SEP
2020
2020
Productions
- Perfectly matched primes and zoom give cinematographer Simon Rowling the perfect anamorphic look -
Leicester, UK – 28 September 2020 – Cinematographer Simon Rowling tested a number of anamorphic lenses for Writer/Director Adrian Bol’s Legacy of Lies to get the perfect anamorphic look without distracting the audience from the on-screen story. The Cooke Optics Anamorphic/i range of prime lenses and a 4:1 Anamorphic/i zoom gave Rowling and Bol the exact look they were hoping to get.
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Leicester, UK – 28 September 2020 – Cinematographer Simon Rowling tested a number of anamorphic lenses for Writer/Director Adrian Bol’s Legacy of Lies to get the perfect anamorphic look without distracting the audience from the on-screen story. The Cooke Optics Anamorphic/i range of prime lenses and a 4:1 Anamorphic/i zoom gave Rowling and Bol the exact look they were hoping to get.
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1
SEP
2020
2020
Productions
- Jody Lee Lipes lenses 6-episode limited series for HBO -
Leicester, UK – 01 September, 2020 – Set from 1913 to the early 1990s, HBO’s six-episode limited series I Know This Much is True required director Derek Cianfrance and cinematographer Jody Lee Lipes to make a choice: What would the show look like? They agreed that a cohesive, period look for the project would be the correct choice — as opposed to a contemporary look — and decided that the marriage of Cooke Optics S4/i T2 prime lenses and Kodak Vision3 500T 5219 35mm film would be the perfect combination.
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Leicester, UK – 01 September, 2020 – Set from 1913 to the early 1990s, HBO’s six-episode limited series I Know This Much is True required director Derek Cianfrance and cinematographer Jody Lee Lipes to make a choice: What would the show look like? They agreed that a cohesive, period look for the project would be the correct choice — as opposed to a contemporary look — and decided that the marriage of Cooke Optics S4/i T2 prime lenses and Kodak Vision3 500T 5219 35mm film would be the perfect combination.
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29
JUN
2020
2020
Productions
- Cinematographer Geoffrey Hall ACS chooses Cooke lenses to create a cinematic look for the series’ 20-year reboot -
Leicester, UK – 29 June 2020 – Cooke Optics’ S7/i Full Frame Plus prime lenses were the first choice of renowned cinematographer Geoffrey Hall ACS (Chopper ,Red Dog: Escape from Pretoria) to shoot HALIFAX: Retribution, a reboot of the popular Australian TV crime drama series, Halifax f.p. that ran from 1994-2001 on Channel Nine.
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Leicester, UK – 29 June 2020 – Cooke Optics’ S7/i Full Frame Plus prime lenses were the first choice of renowned cinematographer Geoffrey Hall ACS (Chopper ,Red Dog: Escape from Pretoria) to shoot HALIFAX: Retribution, a reboot of the popular Australian TV crime drama series, Halifax f.p. that ran from 1994-2001 on Channel Nine.
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