News
7
SEP
2017
2017
Productions
- Cinematographer Justin Montgomery brings a natural look to Paul Shoulberg’s award-winning comedy/drama -
Leicester, UK – September 06, 2017 – Writer/director Paul Shoulberg’s vision for his feature The Good Catholic was to have it not look like a typical romcom, but to take on a more naturalistic look and feel. To help achieve that vision, Cinematographer Justin Montgomery, who worked with Shoulberg on a previous short project, selected Cooke’s S4/i prime lenses to take advantage of their warmth and bokeh, giving images a creamy quality with sharpness.
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Leicester, UK – September 06, 2017 – Writer/director Paul Shoulberg’s vision for his feature The Good Catholic was to have it not look like a typical romcom, but to take on a more naturalistic look and feel. To help achieve that vision, Cinematographer Justin Montgomery, who worked with Shoulberg on a previous short project, selected Cooke’s S4/i prime lenses to take advantage of their warmth and bokeh, giving images a creamy quality with sharpness.
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23
AUG
2017
2017
Productions
- Cooke lenses bring a high-budget look to Romane Simon’s low budget horror feature -
Leicester, UK – August 23, 2017 – Regardless of budget, every director and DP wants their film to look its best. That was no different with Blood Runs Thick, a low-budget, indie horror feature from director Romane Simon and lensed by Los Angeles based Nik Shaw (nikshawfilms.com). To help give Blood Runs Thick the highest quality look for better distribution, Simon and Shaw selected Cooke Anamorphic/i lenses.
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Leicester, UK – August 23, 2017 – Regardless of budget, every director and DP wants their film to look its best. That was no different with Blood Runs Thick, a low-budget, indie horror feature from director Romane Simon and lensed by Los Angeles based Nik Shaw (nikshawfilms.com). To help give Blood Runs Thick the highest quality look for better distribution, Simon and Shaw selected Cooke Anamorphic/i lenses.
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16
MAR
2017
2017
Productions
- First UK TV drama to be transmitted 2:1 on ITV -
Leicester, UK – 16 March 2017 – The third and final series of ITV’s acclaimed TV crime drama Broadchurch, produced by Kudos, Imaginary Friends & Sister Pictures, was shot using Cooke Anamorphic/i lenses by cinematographer Carlos Catalan. The unusual decision to shoot a TV drama anamorphically was taken to make the most of the wide vistas of the coastal setting, and to bring a cinematic look to the story.
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Leicester, UK – 16 March 2017 – The third and final series of ITV’s acclaimed TV crime drama Broadchurch, produced by Kudos, Imaginary Friends & Sister Pictures, was shot using Cooke Anamorphic/i lenses by cinematographer Carlos Catalan. The unusual decision to shoot a TV drama anamorphically was taken to make the most of the wide vistas of the coastal setting, and to bring a cinematic look to the story.
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