News
8
NOV
2018
2018
Cooke Products
-Anamorphic/i SF lenses used on October smash hit films A Star Is Born and Venom-
Leicester, UK – 8 November 2018 – Cooke Optics is pleased to announce the addition of a 35mm-140mm zoom lens to its Anamorphic/i SF family, due to the demand of cinematographers around the world.
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Leicester, UK – 8 November 2018 – Cooke Optics is pleased to announce the addition of a 35mm-140mm zoom lens to its Anamorphic/i SF family, due to the demand of cinematographers around the world.
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10
SEP
2018
2018
Cooke Products
- Large format anamorphic lenses offer additional choice and character to cinematographers -
Leicester, UK – 10 September 2018 – Cooke Optics will add further depth and character to its acclaimed Cooke Anamorphic/i lens family at IBC 2018, when it presents the 50mm focal length of the new Anamorphic/i Full Frame Plus range. This addition to the Anamorphic/i range has been designed to meet the growing appetite for large format production, while applying the popular anamorphic characteristics including flare and oval bokeh.
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Leicester, UK – 10 September 2018 – Cooke Optics will add further depth and character to its acclaimed Cooke Anamorphic/i lens family at IBC 2018, when it presents the 50mm focal length of the new Anamorphic/i Full Frame Plus range. This addition to the Anamorphic/i range has been designed to meet the growing appetite for large format production, while applying the popular anamorphic characteristics including flare and oval bokeh.
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20
JUL
2018
2018
Cooke Products
- Cooke S7 lens used for world’s first nighttime aerial footage using Sony’s VENICE CineAlta camera, at 6K full-frame and ISO 2500 -
Leicester, UK – July 20, 2018 – With only a four-day advance notice, and under strict non-disclosure, cinematographer Gianluca Bertone of Bertone Visuals in El Segundo, CA had to plan out the nighttime aerial production that would eventually show off Sony’s new VENICE CineAlta camera system — as well as the new Crystal LED Display System — at Sony’s NAB press event four months later. Flying three-night missions for Sony, Bertone was tasked with acquiring the absolute best footage in 6K, so that Sony could show the best images possible from its newest 15 f-stops capable digital cinema camera and on its newest 10-bit HDR 440-inch wide display (8K x 4K).
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Leicester, UK – July 20, 2018 – With only a four-day advance notice, and under strict non-disclosure, cinematographer Gianluca Bertone of Bertone Visuals in El Segundo, CA had to plan out the nighttime aerial production that would eventually show off Sony’s new VENICE CineAlta camera system — as well as the new Crystal LED Display System — at Sony’s NAB press event four months later. Flying three-night missions for Sony, Bertone was tasked with acquiring the absolute best footage in 6K, so that Sony could show the best images possible from its newest 15 f-stops capable digital cinema camera and on its newest 10-bit HDR 440-inch wide display (8K x 4K).
Los Angeles Downtown Aerial captured with Cooke S7/i and Sony Venice by Bertone Visuals & Pursuit Aviation from Cooke Optics on Vimeo.
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